| 
               unconcerned
                    but not indifferent -  click here to preview this book Comments: Derek
                    Adams has made a subtle, reverent and perceptive
                    appreciation of Man Ray, his work and those he loved, a
                    beguiling reflection of this great Surrealist's life and
                    those inseparably linked to him. If
                    Man Ray invented himself much as a novelist creates a
                    fictional character, then what do we have here?
                    Verse-biography, verse-novel, or Adams' own self-creation?
                    It's probably a little of all of these, and certainly
                    results in a book that is uniquely vivid and remarkable.
                    Drawing on the brilliantly-lit lives of modernism's
                    avant-garde, we are taken on a truly
                    sur-(above-and-beyond-the)-real exploration, in a sequence
                    of poems that are ever exact and inventive. In
                    Derek Adams' work we find the spark between surrealism and
                    biography, text and pictogram. The author, like his subject,
                    is always ahead of the game. Whether inventing, researching,
                    or simply searching for, Man Ray's friends, photographs or
                    geographical haunts, the poems in 'unconcerned... but not
                    indifferent' [text, punctuation, paper, glue] are flash lit
                    moments of bright beauty and alarm. Those who pay attention
                    will remember these words in the dark as the redeye burns. 
 Reviews: The
                    poetry-biography of photographer Man Ray by
                    poet/photographer Derek Adams is a great idea well done and
                    a snip at five quid. The
                    art-forms and artistic preoccupations of the 1920s hold
                    Derek Adams in a trance, and through his skilful
                    interweaving of Man Ray's life and works with poems
                    themselves constructed in terms of shifting focus,
                    interchangeability of perspective and ever-evolving
                    contrasts we are led into his fascination with this epoch.
                    For example, the eroticism of the 1920s, especially in terms
                    of the sexually outrageous, but essentially sexist images of
                    women, is celebrated in Kiki de Montparnasse. ...part
                    homage to the man, part thumbnail history of Dada, part
                    study of a life as a work of art, and the rest is a
                    chronicle of self-obsession. A neat trick to pull in the
                    space of 23 poems.  Contents: 
 Some of these poems poems were originally published in these magazines Impossibilité
                  dancer/danger 1920,  Marcel 1915,  Paris 1921  Born
                  Again 1905,  Armoury Show 1913,  Kiki 1921,
                   Entr’acte 1924, A l'heure de l'observatoire, les Amoureux, 1932 - 34 - Magma 
 click
                    here to preview this book   | 
            
              
               
  |